Tickets on sale now for PNB’s Hansel & Gretel Family Matinees
The Pacific Northwest Ballet is planning 3 public performances of Hansel & Gretel, an hour-long Family Matinee performance designed for children and families. There are two performances on Sunday, March 17 (noon and 3:30pm) and one on Saturday (3:30pm) March 23. Tickets are on sale now for this limited run.
The Family Matinee production of Hansel & Gretel features students of the Pacific Northwest Ballet School (including some Queen Anne students – more on them in coming weeks) and a very special guest, former PNB principal dancer Ariana Lallone. The narrated ballet tells the fairy-tale of Hansel and Gretel, and is timed for children at 60 minutes. It serves as a great introduction to dance and theater for the younger crowd. Performances also include pre-show activities including crafts and dance classes for the young and young-at-heart.
For tickets and more information, visit PNB online or call 206.441.2424.
PNB’s Nutcracker Opens this Weekend Featuring Local Queen Anne Kids in a Variety of Roles
The Pacific Northwest Ballet’s Nutcracker, a family favorite, kicks off this Friday, December 7th with 30 performances running through December 29th. PNB Founding Artistic Director Kent Stowell and world-famous author and illustrator Maurice Sendak created PNB’s production of the holiday classic – setting it apart from other productions of the holiday classic. PNB’s annual Stowell/Sendak Nutcracker features over 200 roles danced by professional dancers and students, including 16 Queen Anne students.
PNB School students auditioned for PNB’s Nutcracker at the end of September at the Phelps Center on Mercer Street. Several hundred children from all levels of the school auditioned, with 222 selected to perform in this year’s production. Roles are double (and sometimes triple) cast – for example, 3 students – one from Queen Anne – perform the role of Clara.
The students have been working hard at rehearsals that began in late October, and they’re ready to take the stage on Friday night! Photos of our local students were taken during costume fittings at PNB’s rehearsal studios at the Phelps Center; available fitting photos are below.
Our local Queen Anne students in this year’s PNB Nutcracker are:
Pacific Northwest Ballet 96-Hour Sale Starts Friday
Have you delayed purchasing your Nutcracker tickets? Well, this weekend is the time to buy them, as the Pacific Northwest Ballet is having a holiday sale. For 96 hours, PNB is offering a Black Friday/Cyber Monday sale – 25% off select Nutcracker performances and 15% off its entire inventory of 2013 40th Anniversary Season tickets bought via special online links (below) or through the PNB Box Office (206.441.2424 or 301 Mercer Street). Offers begin at 12:01am Friday and expire at 11:59pm Monday.
- 25% off select performances
- Tickets can be purchased online via this link or by mentioning “Turkey” when calling or visiting the PNB Box Office
- 15% off tickets to the remaining programs in PNB’s 40th Anniversary
- Tickets can be purchased online via this link or by mentioning “Gravy” when calling or visiting the PNB Box Office.
Fine Print: This offer is for a limited time only, and is subject to availability. Discounts are not valid on lowest priced or previously purchased tickets, and cannot be combined with other offers. Discounted online purchases must be made using the special links above. Offer is valid starting at 12:01am on Friday, November 23 and expires Monday, November 26th, 2012 at 11:59pm.
Pacific Northwest Ballet to lose 17-year veteran
Ballet dancer Stacy Lowenberg has announced her retirement at the end of this season, ending a 14-year career at Pacific Northwest Ballet in the Seattle Center. Her last show will be June 12, the final PNB performance of the season.
“I think it’s just a good point in time to make a career change,” said Lowenberg. “It’s been an awesome long journey, and I feel humbled that I got the chance to dance this long.”
Lowenberg joined PNB as an apprentice in 1994 and has been dancing for them ever since.
“I’m going to miss it so much, everyone I work with and moving my body all day long and doing something that as a little girl I dreamt of doing.”
Lowenberg, who lives in Fremont with her husband, said she was ready for a change and plans on pursuing different interests, like Pilates and choreography. She began teaching Pilates a few years ago after getting certified and has been working on her own choreography, with seven pieces produced to date. She also plans to take dancing lessons with her husband, which she says she’s never had the energy to do after dancing all day, and to learn to ski, which she’s never been able to do due to the prohibitions of being a professional dancer.
A new work of Lowenberg’s choreography will be shown in the Seattle Dance Project’s upcoming “Project 4,” opening this Friday at The Erickson Theater on Capitol Hill. She will also be dancing in PNB’s performance of Cinderella opening February 4.
From Pacific Northwest Ballet:
Her works have been shown at McCaw Hall, Bumbershoot, Meydenbauer Theatre and on film for the Beijing Olympics. (The Beijing choreography was danced in Seattle before the 2008 Olympics.) Ms. Lowenberg has choreographed for Ballet Theatre of Des Moines, Pacific Northwest Ballet School, PNB Choreographers’ Showcase, and Ballet Bellevue.
The Nutcracker at the Pacific Northwest Ballet: A One of a Kind Experience for All Ages
We in Queen Anne are truly spoiled to have a world class ballet company at our front steps. I had the pleasure of attending the Pacific Northwest Ballet’s latest performance of The Nutcracker this past Sunday at McCaw Hall. PNB’s iconic production reflects the neighborhood in which it is performed—quirky yet refined, modern yet traditional.
Now in its 27th season, PNB’s The Nutcracker is the collaboration of choreographer, and one of PNB’s founding artistic directors, Kent Stowell and illustrator Maurice Sendak, who designed the sets and costumes (in a side note, Mr. Sendak is perhaps most famous for his illustrations in the children’s book Where the Wild Things Are).
Stowell and Sendak’s revolutionary reworking of the traditional story is exclusive to Seattle. However, PNB’s unique interpretation of The Nutcracker remains one of the most widely recognized renditions in the world. And in a nation where most of the local ballet companies perform some adaptation of George Balanchine’s choreography, Sendak and Stowell’s version not only captures more of the original story, but does it in a way that is both fresh and engaging to experience.
For those of you unfamiliar with the story, The Nutcracker centers around a young girl, Clara, who finds herself on the brink of adulthood, wondering where fantasy ends and reality begins. A delightful story for both young and old, it is well paced and skillfully performed. The innovative set dressings are beyond surreal and give the entire performance a pop-up book feel that readily draws the audience into the production.
The live orchestra, as conducted that evening by Allan Dameron, PNB’s acting music director, adds the advantage of real-time flexibility vital for a reactive and dynamic performance. But what is truly phenomenal about The Nutcracker is its inclusion of PNB’s youngest dancers. One very well could, over the course of a decade or so, witness the growth of an aspiring ballerina from her role as a soldier to a part in the flower or snow routines to that of Clara. And the dancers instill their own personality onto the production which keeps each performance fresh no matter how many times you have seen it. It is perhaps the best and most accurate measurement by which to witness the growth of the ballet company.
My favorite moments included the party scene in Act I, in which there were so many activities occurring at once that it was often difficult to determine where to devote my attention. I appreciated how it showcased the talents not only of young Clara and Fritz, but also the children and adult attendees and even the maids (who typically, in non-PNB productions, are merely backdrop). It was a nice change from many other companies’ versions in which each sub-group of performers is given center stage while the other dancers await, and rather flatly, in the sidelines.
PNB soloist Sarah Ricard Orza and principal dancer Lucien Postlewaite were marvelous in their roles as Clara and the Prince. And guest artist Uko Gorter was amazing as the ever scheming Herr Drosselmeier. However, for me, the pinnacle of PNB’s The Nutcracker is the Peacock, exquisitely performed this particular evening by corps member Brittany Reid. Her performance of this unique-to-PNB character was masterful.
All in all the evening was a whimsical delight. My only criticism is directed towards the universe which seems intent on sitting me next to the loudest child in the theater. It seemed that as soon as I was truly losing myself to the story, her screams would quickly pull me out and place me right back in my first tier balcony seat. I must admit, I am ambivalent as to this issue. I was caught between rolling my eyes and passively-aggressively throwing imaginary darts at the complacent parents, but on the other hand I had to admit that that is what The Nutcracker is for—children. So be forewarned, the early shows will be full of unruly little ones with their varying tolerances and attention spans. If you are shrieking adverse, stick to the later shows (use as your guide school nights and appropriate bed times).
Although I am what one may term a ballet enthusiast, I do believe that PNB’s version of The Nutcracker is a must-see for experts and novices alike. The story line is accessible to even the most irascible of ballet eschewers, yet PNB’s skill and technical precision will appeal to even the most jaded of ballet aficionados. I do not think there is a bad seat in the house, although certainly being near the center puts the audience member at an advantage. I enjoy watching ballets from a higher vantage point so that I may enjoy not only the dancing, but the formation as well. For this performance, I sat in the third row center on the first tier balcony, which was perfect. I would, however, caution would-be ticket buyers that the seats in the row in front of you are not low enough to provide a clear visual path above a person’s head. There are complimentary cushions for children so that they may have a bit more of an elevated seat. McCaw Hall also rents binoculars for a nominal fee.
So whether you are an experienced ballet connoisseur or this would be the first time you have ever set foot in a theater, I highly recommend you experience PNB’s exquisite performance of this holiday classic. Even with the myriad of issues endemic to live theater, PNB’s The Nutcracker is about as close to perfection as one can get. And bring the kids because it truly is a performance that can and should be enjoyed by all ages.
The Nutcracker runs through December 27, 2010. Please check the PNB website or call the box office at (206) 441-2424 for performance and ticket information.
Raised in Texas and Oklahoma, S. Grace Betz moved to Seattle in 2009 on little more than a whim. An avid supporter of the arts, she studied ballet for nearly 20 years and piano for 15. She also plays the cello (albeit, not particularly well) and guitar. After her misguided foray into the field of law, she decided to focus her remaining energy on subjects she actually enjoys, which include writing and the arts.