For example, Elizabeth Mullaly‘s unique posters designed especially for the market every year. Her 2009 design, showcasing two red beets, was such a hit the market had to order reprints to sell to many wanting Queen Anne-ers and QAFM attendees.

Her new, highly classified poster, which will become the face of the 2010 season, will be unveiled at the Art of the Market fundraiser this Sunday, March 7 from 5 to 7 p.m. at Queen Anne’s newest locally emphasized restaurant, emmer&rye.

For a minimum $50 donation per person (or $80 for two people), attendees will get a sneak peak at the poster as well as an evening full of fun at the market’s first ever “hyperlocal cocktail fundraiser.” Art of the Market highlights will include:

• Unveiling of the new 2010 market poster and your own copy (signed by artist Elizabeth Mullaly if you wish)
• Delicious appetizers created by Chef Seth Caswell (including his famous farro fries!) with produce courtesy of Full Circle Farms
• Washington State wine courtesy of Ward Johnson Winery
• Live music by world-reknowned “neo-flamenco” guitarist Andre Feriante, fresh from his Valentine’s Day concert at Benaroya Hall
• A chance to win free poster framing, courtesy of Queen Anne Frame

“As Seattle’s only independent farmers market, we need your support to continue bringing the farmers to West Crockett. We can’t do it without you!” wrote QAFM Director Julie Whitehorn.

For more information, check the QAFM website. Buy tickets here.

The Charles Simonyi Fund for Arts and Sciences will be the production sponsor for Amelia with a generous gift of $300,000. Featuring music by American composer Daron Aric Hagen, an intensely personal libretto by American poet and writer Gardner McFall, and a story by Stephen Wadsworth, Amelia is Seattle Opera’s first commissioned work during General Director Speight Jenkins’ tenure.

The Andrew W. Mellon Foundation grant will be used over a four-year period to support the production and presentation of contemporary opera at Seattle Opera and at two additional American opera companies. The grant will provide funding that will underwrite rental and royalty expenses for up to two other companies to present Amelia. It will also cover the cost of set and costume modifications undertaken by Seattle Opera to make the opera compatible with multiple companies.  A percentage of the grant will fund any necessary score or libretto revisions and will fund audience development materials that can be shared in the various cities. By subsidizing some of the costs of presenting a new work, the grant will help reduce the financial risk during challenging economic times and help establish Amelia as an important addition to American opera. Seattle Opera intends to design and implement an overall community strategy and audience development plan that would follow Amelia from one city to the next.

It is the hope that this groundbreaking collaboration with The Andrew W. Mellon Foundation will create a new model for opera companies that will encourage the development and performance of contemporary opera.